{"id":70,"date":"2013-11-16T11:46:52","date_gmt":"2013-11-16T11:46:52","guid":{"rendered":"http:\/\/homepage.univie.ac.at\/bruno.gingras\/?page_id=70"},"modified":"2019-12-11T18:34:30","modified_gmt":"2019-12-11T18:34:30","slug":"profile","status":"publish","type":"page","link":"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/profile\/","title":{"rendered":"Profile"},"content":{"rendered":"

Biography<\/strong><\/h2>\n
\n\n\n\n\n\n\n\n\n
2015 \u2013 2019
\n<\/span><\/td>\n		University Assistant<\/i>,<\/i> Institute of Psychology<\/a>, University of Innsbruck<\/a>, Austria<\/span><\/td>\n<\/tr>\n
2011 \u2013 2014
\n<\/span><\/td>\n		Postdoctoral Researcher, <\/i>Department of Cognitive Biology, University of Vienna<\/a>, Austria<\/span><\/td>\n<\/tr>\n
2008 \u2013 2010<\/span><\/td>\nPostdoctoral Researcher, <\/i>Department of Computing, <\/a>Goldsmiths<\/a>, University of London, United Kingdom
\n<\/span><\/td>\n<\/tr>\n
2008<\/span><\/td>\nPhD in Music Theory<\/em>, <\/span>McGill University<\/a>, Montreal, Canada
\nDissertation: \u201cExpressive strategies and performer-listener communication in organ performance\u201d<\/span><\/td>\n<\/tr>\n
2000<\/span><\/td>\nMSc in Molecular Biology, <\/i>Universit\u00e9 de Montr\u00e9al<\/a>, Canada<\/span><\/td>\n<\/tr>\n
1995<\/span><\/td>\nBSc in Biochemistry <\/i>with Distinction, Universit\u00e9 de Montr\u00e9al<\/a>, Canada<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Selected awards and fellowships<\/strong><\/h2>\n\n\n\n\n\n\n\n\n\n\n
2015<\/span><\/td>\nEmerging Researcher Award<\/a><\/i>, Soci\u00e9t\u00e9 qu\u00e9b\u00e9coise de recherche en musique<\/a> [Quebec Society for Music Research]
\n<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\nFellow<\/i>, Mannes Institute for Advanced Studies in Music Theory: Music and the Mind, New York, USA<\/span><\/td>\n<\/tr>\n
2008 \u2013 2010<\/span><\/td>\nPostdoctoral Fellowship<\/i>, Social Sciences and Humanities Research Council of Canada<\/a> ($81,000 total)<\/span><\/td>\n<\/tr>\n
2008<\/span><\/td>\nYoung Researcher Award<\/a><\/i>, 10th International Conference on Music Perception and Cognition (ICMPC), Sapporo, Japan<\/span><\/td>\n<\/tr>\n
2007 \u2013 2008<\/span><\/td>\nStudent Award<\/a><\/i>, Center for Interdisciplinary Research in Music, Media, and Technology (CIRMMT), Montreal, Canada ($5,000)<\/span><\/td>\n<\/tr>\n
2003 \u2013 2007<\/span><\/td>\nDoctoral Fellowship<\/i>, Social Sciences and Humanities Research Council of Canada<\/a> ($20,000 per year, $80,000 total)<\/span><\/td>\n<\/tr>\n
2002<\/span><\/td>\nMaster\u2019s Scholarship<\/i>, Fonds qu\u00e9b\u00e9cois de la recherche sur la soci\u00e9t\u00e9 et culture<\/a> ($10,000 per year, $10,000 total)<\/span><\/td>\n<\/tr>\n
1995 \u2013 1996<\/span><\/td>\nMaster\u2019s Scholarship<\/i>, Fonds pour la formation des chercheurs et l’aide \u00e0 la recherche<\/a> ($12,000 per year, $20,000 total)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Editorial activities<\/b><\/span><\/h2>\n

Editorial Board, Musicae Scientiae <\/i>(2016 – )<\/span>.
\nGuest Editor, <\/i>Special issue of Frontiers in Psychology <\/i>on \u201c<\/span>Individuality in music performance<\/a>\u201d (2013-14), containing 14 articles.<\/span><\/span><\/p>\n<\/div>\n

\n

Reviewer<\/b><\/span><\/h2>\n

Peer-reviewed journals:
\n<\/span>Review Editor, Frontiers in Psychology<\/em> (sections Performance Science <\/em>and Emotion Science<\/em><\/span>)
\n<\/span>Ad hoc reviewer for<\/span>: Acta Psychologica<\/em>, <\/span>Anthropologie et Soci\u00e9t\u00e9,<\/i><\/span> Behavior Genetics, Behavior Research Methods, Behaviour, <\/em>Bioacoustics<\/em>, Cognitive, Affective and Behavioral Neuroscience<\/em>, Comparative Cognition & Behavior Reviews, Empirical Musicology Review<\/em>, Frontiers in Neuroscience<\/em>, Genetics and Molecular Biology<\/em>, Interdisciplinary Science Review<\/i>, Journal of the Acoustical Society of America<\/em>, Journal of Behavioral Decision Making<\/em>, Journal of Eye Movement Research<\/em>, Journal of Interdisciplinary Music Studies<\/i>, Journal of New Music Research<\/em>, Journal of Visualized Experiments<\/em>, Journal of Zoology<\/i>, Music Perception<\/i>, Music Performance Research<\/i>, Music & Science<\/em>, Musicae Scientiae<\/i>, North-Western Journal of Zoology<\/em>, PLoS ONE<\/i>, Psychology<\/em> of Aesthetics, Creativity, and the Arts<\/em>, Psychomusicology: Music, Mind, and Brain<\/i>, Quarterly Journal of Experimental Psychology, Scientific Reports<\/em>
\n<\/i><\/span><\/span><\/p>\n

Peer-reviewed conferences:<\/span>
\nInternational Society for Music Information Retrieval <\/i>(2013, 2015), International Conference of Students of Systematic Musicology <\/i>(2011), International Conference on the Evolution of Language<\/i> (2011, 2014), International Symposium on Performance Science<\/em> (2013), <\/em>McGill Music Graduate Symposium <\/i>(2006), Stockholm Music Acoustics Conference\/Sound and Music Computing Conference <\/i>(2013)<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Biography 2015 \u2013 2019 University Assistant, Institute of Psychology, University of Innsbruck, Austria 2011 \u2013 2014 Postdoctoral Researcher, Department of Cognitive Biology, University of Vienna, Austria 2008 \u2013 2010 Postdoctoral Researcher, Department of Computing, Goldsmiths, University of London, United Kingdom 2008 PhD in Music Theory, McGill University, Montreal, Canada Dissertation: \u201cExpressive strategies and performer-listener communication … Continue reading “Profile”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"yoast_head":"\nProfile - Bruno Gingras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/profile\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Profile - Bruno Gingras\" \/>\n<meta property=\"og:description\" content=\"Biography 2015 \u2013 2019 University Assistant, Institute of Psychology, University of Innsbruck, Austria 2011 \u2013 2014 Postdoctoral Researcher, Department of Cognitive Biology, University of Vienna, Austria 2008 \u2013 2010 Postdoctoral Researcher, Department of Computing, Goldsmiths, University of London, United Kingdom 2008 PhD in Music Theory, McGill University, Montreal, Canada Dissertation: \u201cExpressive strategies and performer-listener communication … Continue reading "Profile"\" \/>\n<meta property=\"og:url\" content=\"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/profile\/\" \/>\n<meta property=\"og:site_name\" content=\"Bruno Gingras\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-11T18:34:30+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/profile\/\",\"url\":\"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/profile\/\",\"name\":\"Profile - 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