{"id":416,"date":"2015-10-20T08:40:57","date_gmt":"2015-10-20T08:40:57","guid":{"rendered":"http:\/\/homepage.univie.ac.at\/bruno.gingras\/?page_id=416"},"modified":"2025-05-10T12:38:04","modified_gmt":"2025-05-10T12:38:04","slug":"by-topic","status":"publish","type":"page","link":"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/publications\/by-topic\/","title":{"rendered":"Publications by topic"},"content":{"rendered":"

(Listed in reverse chronological order<\/span>; \u2020 <\/sup>denotes equal contribution)<\/span><\/p>\n

Music cognition & music-induced emotions<\/a>
\nBiomusicology, zoomusicology, & bioacoustics<\/a>
\nMusic theory & musicology<\/a>
\nMolecular biology<\/a><\/p>\n

<\/a>Music cognition & music-induced emotions
\n<\/strong><\/span><\/h3>\n

Marin, M. M & Gingras, B. (2024). How music-induced emotions affect sexual attraction: evolutionary implications. Frontiers in Psychology<\/em>, 15<\/em> (1269820). doi: 10.3389\/fpsyg.2024.1269820.<\/p>\n

Nestorova, T., Brandner, M., Gingras, B., & Herbst, C. T. (2023). Vocal vibrato characteristics in historical and contemporary opera, operetta, and schlager. Journal of Voice<\/em>. doi: 10.1016\/j.jvoice.2022.12.027.<\/p>\n

Georgi, M.<\/u>, Gingras, B., & Zentner, M. (2023). The Tapping-PROMS: A test for assessment of sensorimotor rhythmic abilities. Frontiers in Psychology<\/em>, 13<\/em> (862468). doi: 10.3389\/fpsyg.2022.862468.<\/p>\n

Gingras, B. (2021). Using linear mixed-effects models to analyze historical trends in performance strategies. Zeitschrift der Gesellschaft f\u00fcr Musiktheorie<\/em>, 18<\/em>, 71-77. doi.org\/10.1007\/s00429-020-02105-7.<\/p>\n

Martins, M., Fischmeister, F., Gingras, B., Bianco, R., Puig-Waldm\u00fcller, E., Villringer, A., Fitch, W. T., & Beisteiner, R. (2020). Recursive music elucidates neural mechanisms supporting the generation and detection of melodic hierarchies. Brain Structure & Function<\/em>, 225<\/em>, 1997-2015. doi.org\/10.1007\/s00429-020-02105-7. [OA]<\/p>\n

Zentner, M., & Gingras, B. (2019). The assessment of musical ability. In J. Rentfrow & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research <\/em>(pp. 641-683). Cambridge, MA: MIT Press.<\/p>\n

Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2017). Misattribution of musical arousal increases sexual attraction towards opposite-sex faces in females. PLoS ONE<\/em>, 12(9):e0183531. doi:10.1371\/journal.pone.0183531. [Full text<\/a>]<\/span><\/p>\n

Martins, M., Gingras, B., Puig-Waldm\u00fcller, E., & Fitch, W. T. (2017). Cognitive representation of \u201cmusical fractals\u201d: Processing hierarchy and recursion in the auditory domain. Cognition<\/em>, 161<\/em>, 31-45. [Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2017). Commentary on Kopiez, Wolf, and Platz: The impact of playing from memory on performance evaluation. Empirical Musicology Review<\/em>, 12<\/em>(1-2), 15-18. [Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2017). Conveying expressivity and individuality in keyboard performance. In M. Lesaffre, M. Leman, & P. J. Maes (Eds.), Routledge Companion to Embodied Music Interaction <\/em>(pp. 87-95). Oxford, UK: Routledge.<\/span><\/p>\n

Goodchild, M., Gingras, B., & McAdams, S. (2016). Analysis, performance, and tension perception of an unmeasured prelude for harpsichord. Music Perception<\/em>, 34<\/em>(1), 1-20. doi: 10.1525\/mp.2016.34.1.1. [Abstract<\/a>]
\n<\/span><\/p>\n

Gingras, B., Palmer, C., Schubert, P.N., & McAdams, S. (2016). Influence of melodic emphasis, texture, salience, and performer individuality on performance errors. Psychology<\/em> of Music, 44<\/em>(4), 847-863. doi: 10.1177\/0305735615594491. [Abstract<\/a>]<\/span><\/p>\n

Gingras, B., Pearce, M. T., Goodchild, M., Dean, R. T., Wiggins, G., & McAdams, S. (2016). Linking melodic expectation to expressive performance timing and perceived musical tension. Journal of Experimental Psychology: Human Perception and Performance, 42<\/em>(4), 594-609. doi: 10.1037\/xhp0000141. [Abstract<\/a>]
\n<\/span><\/p>\n

Slana, A., Repovs, G., Fitch, W. T., & Gingras, B. (2016). Harmonic context influences pitch class equivalence judgments through gestalt and congruency effects. Acta Psychologica<\/em>,\u00a0166, <\/em>54-63. doi.org\/10.1016\/j.actpsy.2016.03.006. [Abstract<\/a>]<\/span><\/p>\n

Gingras, B. (2015). Cue redundancy in the communication of musical emotions: The case of sound intensity. Brunswik Society Newsletter<\/em>, 30<\/em>, 12-14. [Full text<\/a>]<\/span><\/p>\n

Gingras, B., Marin, M. M., Puig-Waldm\u00fcller, E., & Fitch, W. T. (2015). The eye is listening: Music-induced arousal and individual differences predict pupillary responses.\u00a0Frontiers in Human Neuroscience, 9<\/em>(619). <\/em>doi: 10.3389\/fnhum.2015.00619.<\/span>\u00a0[Full text<\/a>]<\/p>\n

Marin, M. M., Thompson, W. F., Gingras, B., & Stewart, L. (2015). Affective evaluation of simultaneous tone combinations in congenital amusia. Neuropsychologia<\/em>, 78<\/em>, 207-220. doi:10.1016\/j.neuropsychologia.2015.10.004. [Full text<\/a>]
\n<\/span><\/span><\/span><\/span><\/span><\/p>\n

Gingras, B., & Marin, M. M. (2015). Evolutionary considerations on complex emotions and music-induced emotions: Comment on \u201cThe quartet of human emotions: An integrative and neurofunctional model\u201d by S. Koelsch et al. Physics of Life Reviews<\/em>, 13<\/em>, 53-54. [Preview<\/a>]
\n<\/span><\/p>\n

Filippi, P., Gingras, B., & Fitch, W. T. (2014). Pitch enhancement facilitates word learning across visual contexts. Frontiers in Psychology<\/em>, 5<\/em>(1468). doi: 10.3389\/fpsyg.2014.01468\u00a0[Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2014). Expressive timing, musical tension, and listener-performer synchronicity: Commentary on Ohriner. Empirical Musicology Review<\/em>, 9<\/em>(2), 130-133. [Full text<\/a>]
\n<\/span><\/p>\n

Pohler, G., & Gingras, B. (2014). Schamanisches Reisen versus Entspannung. \u00c4rztewoche<\/em>, 46<\/em>, 54. [Full text<\/a>]
\n<\/span><\/p>\n

Gingras, B., Pohler, G., & Fitch, W. T. (2014). Exploring shamanic journeying: Repetitive drumming with shamanic instructions induces specific subjective experiences but no larger cortisol decrease than instrumental meditation music. PLoS ONE<\/i>\u00a09(7): e102103.\u00a0doi:10.1371\/journal.pone.0102103 [Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2014). Individuality in music performance: Introduction to the research topic.\u00a0Frontiers in Psychology,<\/i> 5<\/em>(661). doi: 10.3389\/fpsyg.2014.00661 [Full text<\/a>]<\/span><\/p>\n

Srinivasan, N. & Gingras, B. (2014). Emotional intelligence predicts individual differences in proneness for flow among musicians: The role of control and distributed attention.\u00a0Frontiers in Psychology,<\/i> 5<\/em>(608). doi: 10.3389\/fpsyg.2014.00608\u00a0[Full text<\/a>]<\/span><\/p>\n

M\u00fcllensiefen, D., Gingras, B., Musil, J., & Stewart, L. (2014). The musicality of non-musicians:\u00a0An index for assessing musical sophistication in the general population. PLoS ONE<\/i>, 9(2):e89642. doi: 10.1371\/journal.pone.0089642 [Full text<\/a>]<\/span><\/p>\n

Koren, R., & Gingras, B. (2014). Perceiving individuality in harpsichord performance. Frontiers in Psychology<\/i>, 5<\/i>(141). doi: 10.3389\/fpsyg.2014.00141 [Full text<\/a>]<\/span><\/p>\n

Gingras, B., Marin, M. M., & Fitch, W. T. (2014). Beyond intensity: Spectral features effectively predict music-induced subjective arousal. Quarterly Journal of Experimental Psychology<\/i>, 67<\/i>(7), <\/i>1428-1446. doi: 10.1080\/17470218.2013.863954 [Abstract<\/a>]
\n<\/span><\/p>\n

Bowling, D., Gingras, B., Han, S., Sundararajan, J., & Opitz, E. (2013). Tone of voice in emotional expression and its implications for the affective character of musical mode. Journal of Interdisciplinary Music Studies, 7<\/em>(1-2), 29-44.<\/span><\/p>\n

Gingras, B., Asselin, P.-Y., & McAdams, S. (2013). Individuality in harpsichord performance: Disentangling performer- and piece-specific influences on interpretive choices. Frontiers in Psychology<\/i>, 4<\/i>(895). doi: 10.3389\/fpsyg.2013.00895 [Full text<\/a>]<\/span><\/p>\n

Marin, M. M., Gingras, B., & Bhattacharya, J. (2012). Crossmodal transfer of arousal, but not pleasantness, from the musical to the visual domain. Emotion<\/i>, 12<\/i>(3), 618-631. <\/i>[Abstract<\/a>]
\n<\/i><\/span><\/p>\n

Marin, M. M., Gingras, B., & Stewart, L. (2012). Perception of musical timbre in congenital amusia: Categorization, discrimination, and short-term memory. Neuropsychologia<\/i>, 50<\/i>(3), 367-378.<\/i> [Abstract<\/a>]<\/span><\/p>\n

Fitch, W. T., & Gingras, B. (2011). Multiple varieties of musical meaning: Comment on \u201cTowards a neural basis of processing musical semantics\u201d by Stefan Koelsch. Physics of Life Reviews<\/i>, 8<\/i>(2), 108-109. [Preview<\/a>]<\/span><\/p>\n

Gingras, B., Lagrandeur-Ponce, T., Giordano, B. L., & McAdams, S. (2011). Perceiving musical identity: Performer identification is dependent on performer expertise and on expressiveness, but not on listener expertise. Perception<\/i>, 40<\/i>(10), 1206-1220. <\/i>[Abstract<\/a>]
\n<\/i><\/span><\/p>\n

Gingras, B., & McAdams, S. (2011). Improved score-performance matching using both structural and temporal information from MIDI recordings. Journal of New Music Research<\/i>, 40<\/i>(1), 43-57. [Abstract<\/a>]<\/span><\/p>\n

Gingras, B. & McLean, A. (2010). Review of Marc Leman, Embodied Music Cognition<\/i>. Psychology of Music<\/i>, 38<\/i>(1), 119-124. <\/i>[Full text – subscription required<\/a>]<\/span><\/p>\n

<\/a>Biomusicology, zoomusicology, & bioacoustics<\/strong><\/span><\/h3>\n

Gingras, B. (2021). Music\u2019s putative adaptive function hinges on a combination of distinct mechanisms. Behavioral & Brain Sciences<\/em>, 44<\/em>:e72. doi:10.1017\/S0140525X20001752.<\/p>\n

Gingras, B., Honing, H., Peretz, I., Trainor, L. J., & Fisher, S. E. (2018). Defining the biological bases of individual differences in musicality. In H. Honing (Ed.), The Origins of Musicality <\/em>(pp. 221-250). Cambridge, MA: MIT Press.<\/span><\/p>\n

Filippi, F., & Gingras, B. (2018). Emotion expression in animal vocalizations, language, and music: An evolutionary perspective. In Luef, E. M., & Marin, M. M. (Eds.), The talking species: Perspectives on the evolutionary, neuronal, and cultural foundations of language <\/em>(pp. 105-125).<\/em> Graz, Austria: Unipress Graz Verlag.<\/span><\/p>\n

Gingras, B. (2017). Music across the species. In R. Ashley & R. Timmers (Eds.), Routledge Companion to Music Cognition <\/em>(pp. 391-402). Oxford, UK: Routledge.<\/span><\/p>\n

Garcia, M., Gingras, B., Bowling, D. L., Herbst, C. T., Boeckle, M., Locatelli, Y., & Fitch, W. T. (2016). Structural classification of Wild Boar (Sus scrofa<\/em>) vocalizations. Ethology, 122<\/em>(4), 329-342. doi:\u00a010.1111\/eth.12472. [Full text<\/a>]<\/span><\/p>\n

Doolittle, E. L., & Gingras, B. (2015). Quick guide: Zoomusicology. Current Biology<\/em>, 25(<\/em>19), R819-820. [Full text<\/a>]<\/span><\/p>\n

Gingras, B., Honing, H., Peretz, I., Trainor, L. J., & Fisher, S. E. (2015). Defining the biological bases of individual differences in musicality. Philosophical Transactions of the Royal Society B<\/em>, 370<\/em> (20140092). doi: 10.1098\/rstb.2014.0092 [Full text<\/a>]
\n<\/span><\/span><\/span><\/span><\/p>\n

Doolittle, E. L. \u2020<\/sup>, Gingras, B. \u2020<\/sup>, Endres, D. M., & Fitch, W. T. (2014). Overtone-based pitch selection in hermit thrush song: Unexpected convergence with scale construction in human music. Proceedings of the National Academy of Sciences of the United States of<\/em> America, 111<\/em>(46), 16616-16621. doi: 10.1073\/pnas.1406023111 <\/span><\/span><\/span>[Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2014). Cross-species comparisons. In W. F. Thompson (Ed.), Music in the Social and Behavioral Sciences: An encyclopedia<\/em>, vol. 1 (pp. 287-290). Thousand Oaks, CA: SAGE Publications.<\/span><\/p>\n

Ravignani, A., Olivera, V. M., Gingras, B., Hofer, R., Hern\u00e1ndez, C. R., Sonnweber, R. S., & Fitch, W. T. (2013). Primate drum kit: A system for studying acoustic pattern production by non-human primates using acceleration and strain sensors. Sensors<\/i>, 13<\/i>(8), 9790-9820. [Full text<\/a>]<\/span><\/p>\n

Gingras, B., Mohandesan, E., Boko, D., & Fitch, W. T. (2013). Phylogenetic signal in the acoustic parameters of the advertisement calls of four clades of anurans. BMC Evolutionary Biology<\/i>, 13<\/i>(134). doi:10.1186\/1471-2148-13-134 [Full text<\/a>]<\/span><\/p>\n

Gingras, B., Boeckle, M., Herbst, C. T., & Fitch, W. T. (2013). Call acoustics reflect body size across four clades of anurans. Journal of Zoology<\/i>, 289<\/i>(2), 143-150. <\/i>[Abstract<\/a>]<\/span><\/p>\n

Gingras, B., & Fitch, W. T. (2013). A three-parameter model for classifying anurans into four genera based on advertisement calls. Journal of the Acoustical Society of America<\/i>, 133<\/i>(1), 547-559. [Abstract<\/a>]<\/span><\/p>\n

<\/a>Music theory & musicology
\n<\/strong><\/span><\/h3>\n

Huisman, L., Gingras, B., Dhondt, G., & Leman, M. (2017). Musical Complexity and \u201cEmbodied Notation\u201d:\u00a0 A Study of the Opus Clavicembalisticum (K. S. Sorabji). Empirical Musicology Review<\/em>, 12<\/em>(1-2), 59-71. [Full text<\/a>]<\/span><\/p>\n

Gingras, B. (2014). Systematic musicology. In W. F. Thompson (Ed.), Music in the Social and Behavioral Sciences: An encyclopedia<\/em>, vol. 2 (pp. 1093-1095). Thousand Oaks, CA: SAGE Publications.<\/span><\/p>\n

Gingras, B., McAdams, S., & Schubert, P. (2010). The performer as analyst: A case study of J.S. Bach’s \u201cDorian\u201d Fugue (BWV 538). In C. Utz (Ed.), Music Theory and <\/i>Interdisciplinarity<\/i> \u2013 8th Congress of the Gesellschaft f\u00fcr Musiktheorie Graz 2008 <\/i>(Musik.theorien der Gegenwart, vol. 4) (pp. 305-318). Saarbr\u00fccken, Germany: Pfau-Verlag.<\/span><\/p>\n

Gingras, B. (2008). Partimento fugue in eighteenth-century Germany: A bridge <\/i>between thoroughbass lessons and fugal composition. Eighteenth-Century Music<\/i>, 5<\/i>(1), 51-74. [Abstract<\/a>]<\/span><\/p>\n

Gingras, B. (2005). Review of Thomas Christensen, ed., The Cambridge History of Western Music Theory<\/i>. Intersections : Canadian Journal of Music<\/i>, 25<\/i>(1-2), 233-240.<\/span><\/p>\n

Gingras, B. (2003). Johannes Kepler\u2019s Harmonice Mundi <\/i>: A \u201cScientific\u201d Version of the Harmony of the Spheres. Journal of the Royal Astronomical Society of Canada<\/i>, 97<\/i>(5), 228-232 (first part) and 97<\/i>(6), 259-265 (second part). [PDF first part<\/a>]\u00a0 [PDF second part<\/a>]<\/span><\/p>\n

<\/a>Molecular biology
\n<\/strong><\/span><\/h3>\n

Gingras, B.\u2020<\/sup>, Rodier, G.\u2020<\/sup>, Giasson, E., Coulombe, P., Chassagne, C., & Meloche S. (2003). Expression of angiotensin type II receptor downregulates Cdk4 synthesis and inhibits cell-cycle progression. Oncogene<\/i>, 22<\/i>(17), 2633-42. [Full text<\/a>]<\/span><\/p>\n

Chassagne, C., Adamy, C., Ratajczak, P., Gingras, B., Teiger, E., Planus, E., Oliviero, P., Rappaport, L., Samuel, J. L., & Meloche, S. (2002). Angiotensin II AT(2) receptor inhibits smooth muscle cell migration via fibronectin cell production and binding. American Journal of Physiology \u2013 Cell Physiology<\/i>, 282<\/i>(4), C654-64. [Full text<\/a>]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

(Listed in reverse chronological order; \u2020 denotes equal contribution) Music cognition & music-induced emotions Biomusicology, zoomusicology, & bioacoustics Music theory & musicology Molecular biology Music cognition & music-induced emotions Marin, M. M & Gingras, B. (2024). How music-induced emotions affect sexual attraction: evolutionary implications. Frontiers in Psychology, 15 (1269820). doi: 10.3389\/fpsyg.2024.1269820. Nestorova, T., Brandner, M., … Continue reading “Publications by topic”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-416","page","type-page","status-publish","hentry"],"yoast_head":"\nPublications by topic - Bruno Gingras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gingras.musicpsychology.at\/wordpress\/index.php\/publications\/by-topic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications by topic - Bruno Gingras\" \/>\n<meta property=\"og:description\" content=\"(Listed in reverse chronological order; \u2020 denotes equal contribution) Music cognition & music-induced emotions Biomusicology, zoomusicology, & bioacoustics Music theory & musicology Molecular biology Music cognition & music-induced emotions Marin, M. 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